A beautifully wrought tale of a passionate affair, operating on the ears as well as the heart. A playful dissection of the pathology of who we are. A sonic experience of neurosurgery. ‘Wildly imaginative’ (The Guardian).
Landscape, memory and change explored in a performance starting with a short silent walk for the whole audience. Text Nicholas Bone, design Sans façon, performer Ian Cameron. ‘Works beautifully...’ (The Scotsman, on Walden).
Through a combination of monsters, demons, & the dysfunctional relationship with his father, Stasiu tries to overcome the harsh reality of his own existence as his life flashes before his eyes.
Part piano recital, part fantasy lecture, Will Pickvance returns with his sell-out Edinburgh Fringe 2013 show of virtuosity, dissection and surreal humour. 'Very funny, this man is the Will Pickvance of his generation' (Dylan Moran)
Exploring Ellie's lineage to Elvis Presley, this solo interactive performance, created with neuroscientist research partners, utilises Ellie's skills in immersive theatre, game play and music to examine current methods that define and measure madness.
Is this a man’s world? Beats North explores the soundtrack to our lives through the eyes and ears of two northern lads who are still trying to figure it out. By Luke Barnes and Ishy Din.
Musician Louise Quinn and Grid Iron's Ben Harrison's immersive silent disco remix of singer- songwriter Thyme's journey through the fame- factory. '...a vital piece that's musically compelling throughout' (The Scotsman). Part of the Made In Scotland 2014
Meet Rita Grebe, a seven-foot woman who thinks she’s a bird. ‘Deliciously dark’ (The Guardian), Smith’s latest alter-ego is in plumage, hell-bent on turning the twitcher archetype on its head but things are never quite what they seem...
Theatre at high octane speed, based on real events. The SDL try to shut down the local mosque, ending in a full scale riot. Blood Orange examines the turbulent rise of the new far right in modern Scotland.
A playful, funny and sometimes moving look at how we see ourselves and others, featuring dance, chat and one perfect scene containing everything you could wish for... ‘Brave, honest and delightful’ (The Scotsman). ‘Utterly engaging’ (The Herald). Part of Made in Scotland showcase.
Loosely translated, charmolypi means “joyful sorrow”. In Greece, elderly people possess this quality due to life’s experience. “The water has to fall. Time passes drop by drop. World is in chaos. A minute of silence for the waiting ones...”
Disturbingly funny story about a man and his troubled relationship with a psychic and her spirit guide. Living people can be cruel. The dead are easier to deal with. ‘Very funny for all the wrong reasons’ (WhatsOnStage.com).
War, bicycles and the withdrawal method. A love story: man and woman, east/west, the mundane and the monumental, the dust behind the bed and the Iranian baby boom. ‘Rich inventive theatricality’ (WhatsOnStage.com)
A duck strikes up an unlikely friendship with Death. Magic and puppetry allow us to deal with this difficult subject in a way that is elegant and thought provoking. A story for adults and children!
You’re six years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. You begin listing everything that’s brilliant about the world. Everything worth living for. 1: Ice Cream. 2: Rollercoasters. 3: Me. Written by Duncan Macmillan.
A ‘furiously skillful’ (Västerbottens-Kuriren, Sweden) performance about the greatest medical disaster in the history of the NHS, the infected blood products scandal. Starring Stewart Porter and Matthew Zajac, multimedia theatre from the creators of The Tailor of Inverness.
A free talk for ticket-holders for Return to the Voice. Song of the Goat’s director Grzegorz Bral and composer Maciej Rychły will be joined for a panel discussion by key collaborators based in Scotland.
Night of the Moon Festival, a time of transformation, reunion and secret messages. Come share in a bilingual show of mythical and modern migration tales, with music, mooncakes and a rickshaw.
Come on an odyssey of the sky with the Fiancée of Danger. The true story of one woman's yearning for the limitless skies.
Margaret Thatcher is on a diet. Virginia Woolf is in a bucket. Marilyn Monroe is reading the dictionary. A show about making a one-woman show when you are not one woman.
The ancient Chinese game of passing the flower leads to the telling of nine surreal tales which each reflect a moment in which people get lost within their own lives.
How would a group of children write a Fluxus inspired musical score? Leave your grown up sensibilities at the door and join this musical journey through the whims and wonders of childish imagination. ‘Delightful’ (The Scotsman).
Throughout the festival Summerhall's Yellow Room Children's space will host Jolly Jungle, a drop-in play space for parents and carers to explore with their child. A perfect way to escape the festival fever and take a breather between shows, Jolly Jungle is brimming with toys, soft play, art and crafts and a story corner too for tiny tots, toddlers and pre schoolers to enjoy.
Kid explores the relationship between mother and kid through lighting, sounds effect, shadow and extraordinary movement. Box breaks the barrier of dream and reality, bringing the world into this magical box. Where dance transforms poetry into body language.
KlangHaus is a 360° visceral, enveloping experience challenging conventions of the live gig.
Award-winning theatre from Denmark combining performance, dance and live music. A tightly choreographed and exquisitely orchestrated descent to chaos which has reduced audiences to both laughter and tears. Funny, provocative, disturbing and visually inventive with moments of great beauty.
A playful and mesmeric exploration of music, voice and cultural identity. Part cabaret, this show examines the lineage of one woman, with live music creating trance-like atmospheres. 'Fox's humour and passion, and Rocha's virtuosity, are unmistakable' (The Guardian).
Ever heard a glass orchestra? This wonderful theatrical adaptation brings Italian novelist Alessandro Baricco’s imagined world to UK audiences for the first time. Features live music on glass marimbas, chimes, even a Sauvignon- blancophone. ‘Thrillingly talented people’ (The Guardian).
On stage, a collection of objects. They were there when we became who we are today. With these, a boy and his horse are on a search for a lost future. A joyful journey’s taking off.
Catherine never left home. She took a one-way Ryanair flight to Gatwick in 2005. Now she's got a flat, a job, a Tesco clubcard. Tonight she's having a party, to mark all the moments of letting go.
This is the story of a Faustian Pact. Mikail and HotCal, two young people with a peculiarity: they irradiate light. They are recruited by The Greek, a mysterious artist who wishes to steal their light by promising eternity.
Inez lives in Rotterdam opposite the so-called Buttplug Gnome of Paul McCarthy. She thinks this work of art is ruining her street and she wants to travel to LA to meet McCarthy and take revenge.
Lungs by Duncan Macmillan. A couple are deciding their future. They want to have a child for the right reasons. But what exactly are the right reasons? 'The most beautiful, shattering play of the year.' (Sunday Express).
A powerful new adaptation, translated into richly atmospheric Gaelic. A two-person format throws fierce emphasis onto the blighted and deteriorating relationship between Macbheatha and his wife. Superb, passionate and driven performances, sexually charged and blazing with ambition. (The Scotsman). Part of Made in Scotland showcase.
An international multi-award winning masterpiece of physical theatre, an innovative example of “contemporary bio-mechanics”, a perfect combination of physical actions, music, live voice and video, exploring the condition of alienation of ILVA steelworkers.
An emotionally dark, richly visual fairytale for adults and heavy-metal kids. How would you feel if your shadow took over your soul and began exploring its own desires and urges? Beautiful shadow theatre from the internationally acclaimed company.
Winner Jury Prize HiverÔclites 2014 Avignon, France. Suffering has no linear narrative: it hits us unexpectedly, unforeseeably, unstoppably. A two- person investigation on trying to survive this tidal moment, when pain becomes the driving force behind physical reactions.
Misa-Lisin means ceremonies in all seasons. Imagine the blowing wind stirring the grain, the mud wrestling from our childhood memory, the healing received from the ocean... Misa-Lisin, a performance shaped by the power of humanity and motherland.
Two terrible twins rule their school until the arrival of a headmaster with scaly skin and a spiky tail. An outrageously entertaining comic caper from Dennis Kelly, the writer of Matilda The Musical.
A dark, tender, and funny lyrical narrative about brothers, escape, survival and love from playwright/performer Annie Siddons (Kneehigh, BAC) with an atmospheric live score by Marcus Hamblett. 'Wonderfully involving, witty and emotionally potent.' (Independent on Siddons).
Internationally acclaimed, multi award-winning Song of the Goat present a passionate theatrical performance inspired by ancient Gaelic and Scottish musical traditions: laments, psalms, songs of exile.
William has retired but all’s not well. In fact, Will’s losing it. Ann’s already lost it and what’s happened to the dog? A sleepless night in Stratford, the one hour traffic of our play.
We are the weaker sex. We can’t control our feelings; crying, sulking and suffering inexplicable mood-swings. We are either whores or saints. We’re good liars, using our bodies to get on in life. We’re sirens. The stage is ours.
Amy, a sex worker, and her sister Rosana, a shaven-headed lesbian, explore their differing sexual lives in this powerful performance examining feminism and choice. ‘Strange, beautiful, disturbing’ (The Scotsman). ‘Leaves you caught between laughter and tears’(The Herald). Part of Made in Scotland showcase.
Join Professor White Fang and Dr Gary, both accomplished dogs in their own right, in their acclaimed training seminar for humans who have 'lost their senses'. Audience members will be provided with a complimentary drink with their ticket.
Sutherland takes an inherited videotape and remixes it live onstage, transforming old television into a dialogue with his late grandfather. ‘One of the stand out shows of the Fringe’ (Stage). ‘Touching, funny, linguistically thrilling’ (Exeunt).
With live music, poetry and beatboxing, 20 Stories High presents young people telling real tales from their MP3 players. With unflinching honesty, they discuss religion, sex, race friendship and family revealing challenging and insightful perspectives.
A family drama simultaneously staging the first onset psychoses of a mother and son as they navigate stress and change with fantastical results. Performed to separate but adjoining auditoria, audible but unseen.
Set in the unspeakable nightmare of WW1 battlefields, switching between the visceral horror of war and an increasingly passionate and ultimately tragic love affair. An intense portrayal of the emotional and psychological effects of wars past and present.
Bethan and Matthew share a dream: to end up together. They’ve taken chance out of growing old by planning their lives in great detail. But there's a problem: they’ve lost the plan for day one.
The God That Comes: a wine-soaked rock‘n’roll cabaret celebrating the god of wine and ecstasy! Starring Canadian Juno award-winning rocker Hawksley Workman. Part play, part cabaret, all bacchanalian. ‘He’s bringing sexy Bacchus’ (Globe and Mail).
HiBrow and comedy curators Jilly Burnet and Van Keeling AKA JV Productions team up to storm the civilised environs of Summerhall with some of the festival’s finest comedians. ‘JV have an eye for comedy’ (Ian Hislop).
Please see full web entry for a list of contributing comedians!
Award-winning director Andrew Tsao brings his third world premiere to the Fringe. The Waste Land Sisters combines classics by Chekhov and T.S. Eliot with imaginative staging and puppetry in an examination of two legendary works.
Pest control and cake crumbs fuel a Tom and Jerry meets National Socialism battle. Stage four genocide as a dynamic allegorical struggle between man and mice played out in silence, squelches, slaps and traps.
No actors. No technicians. Just you. And a phone that might ring. This is the theatre you don’t see. 'The level of risk-taking is staggering' Total Theatre on Exterminating Angel.
A new story, inspired by the Tale of the Town Mouse and the Country Mouse from Fringe First Award winners Tom Frankland and Laura Mugridge.
Louise and Ans Van den Eede started off with Diderot’s novel, ending up writing a whimsical conversation between a man and a woman, 'who need to go somewhere else, urgently'.
Award-winning, all-male interpretation of Bronte’s seminal text. Four men explore masculinity as they sing together, full-throated, on the dark expanses of the Yorkshire moors and dance optimistically to the howling tones of Kate Bush.